Ames, David : Wolof Music of the Senegal and Gambia (Sleevenotes) Folkways FE4462

Baker, Houston: ‘Hybridity, the Rap Race, and Pedagogy for the 1990s’: Black Music Research Journal: Vol II No 2, Fall 1991

Bauer, Judah: "The Boogie Men", interview with John Lee Hooker in Maximum Guitar, May 1997.

Berthens, Hans: The Idea of the Postmodern: a History: Routledge 1995

Brown, Paul: ‘This Thing of Darkness I acknowledge Mine’, in Political Shakespeare: New Essays in Cultural Materialism, (Manchester U.P. 1985)

Budd, Malcolm: Music and the Emotions: Routledge

Chafe, Eric: ‘Tonal Allegory in the vocal music of J.S.Bach’, (California UP, 1991)

Cooke, Deryck: ‘The Language of Music’,(Oxford, New York, 1959)

Eagleton, T: The Ideology of the Aesthetic: Blackwell, Oxford, 1990

Evans, Liz: ‘Women Sex and Rock ‘n’ Roll: In their own words’, (Pandora, 1984).

Freud Sigmund : ‘New Introductory Lectures on Psychoanalysis’, (Penguin London, 1973)

Frith, Simon and Angela McRobbie: ‘Rock and Sexuality’ in On Record: Rock Pop and the Written Word : ed. Simon Frith and Andrew Goodwin, ( Routledge, 1990)

Gates, Henry Louis Jnr.: ‘The Signifying Monkey: A Theory of African American Literary Criticism’ (Oxford ,1988)
Gore, Joe: ‘Last Night I had the Strangest Dream’: Guitar Player, May 1990, p20.

Green, Lucy: ‘Music, Gender, Education’, (Cambridge, 1997)

Grieg, Charlotte: ‘Female Identity and the Woman Songwriter’, in Sexing the Groove, ed. Shiela Whiteley, (Routledge 1997)

Grossberg, Lawrence: ‘We gotta get out of this Place’, (Routledge, 1993)

Grossberg, Lawrence: ‘Rock and the New Conservatism’ in Rock and Popular Music: Politics, Policies, Institutions, (Routledge, 1993)

Hebdige, Dick : ‘Subculture: The Meaning of Style’, (Methuen, 1979)

Hooks, Bell: ‘Reconstructing Black Masculinity’, in Black Looks: race and representation, ( (Turnaround, 1992)

Jones, Rev. A.M.: ‘Studies in African Music’, (OUP, 1959) vol II.

Kitwana, Bakari: ‘The Rap on Gangsta Rap’, Third World (Chicago, 1992)

Laing, R.D.: ‘The Divided Self: An existential study in sanity and madness’, (Tavistock , 1959)

Lehrdahl, Fred and Ray Jackendoff: ‘A Generative Theory of Tonal Music’, (Massachusetts Institute of Technology, 1983)

McClary, Susan : ‘Feminine Endings: Music Gender and Sexuality’, (Minnesota 1991)

Marcus, Griel: ‘Mystery Train’, (Penguin, 1975)

Martin, Peter: ‘Sounds and Society: Themes in the sociology of music’, (Manchester 1995)

Middleton, Richard: Studying Popular Music: Open University 1990

Negus, Keith: ‘Sinead O’Connor - Musical Mother’, in Sexing the Groove, ed. Shiela Whiteley. (Routledge 1997)

Novak, Philip: ‘The Vision of Nietzsche’, (Element, 1996).

Oliver, Paul : ‘Savannah Syncopators: African Retentions in the Blues’, (Studio Vista, 1970).

Pattison, Robert : ‘The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism’, (Oxford, 1987)

Pratt, Carroll C.: ‘The Meaning of Music’ , (New York, 1931)

Ragland-Sullivan Ellie: ‘Lacanian Theory’, in ‘Psychoanalysis and ...’: eds. Richard Feldstein and Henry Sussman, (Routledge.,1990)

Reynolds, Simon and Joy Press: ‘The Sex Revolts:Gender, Rebellion and Rock ‘n’ Roll’, (Serpent’s Tale, 1995)

Rutherford, Jonathan: ‘Who’s that Man?’, in ‘Male Order’, ed Chapman and Rutherford, (Lawrence and Wishart, 1988)

Scholes, Robert, and Robert Kellogg: ‘The Nature of Narrative’, (OUP, New York, 1966)

Shepherd, John: ‘Music and Male Hegemony’ in Music as Social Text , (Polity, 1991)

Smith-Rosenberg, Carroll: ‘Hearing Women's Words: A Feminist Reconstruction of History’, (OUP, New York, 1985)

Straw, Will : ‘Characterising Rock Culture:The Case for Heavy Metal’, in ‘On Recond: Rock, Pop and the Written Word’, eds. Simon Frith and and Andrew Goodwin, (Routledge, 1990)

Tagg, Philip: ‘Kojak - 50 seconds of Television Music (Towards the Analysis of Affect in Popular Music)’, (Gothenburg, 1979)

Tagg, Philip: ‘Fernando the Flute’, (IASPM, 1991)

Tagg, Philip: ‘Towards a sign typology of music’, (Trento, 1991)

Vai, Steve: "Passion and Warfare" music transcriptions, Hal Leonard, (1991)

Weber, Max: ‘The Protestant Ethic and the Spirit of Capitalism’, (Harper Collins Academic, 1991) Originally published 1930.

Warner, Marina: ‘Alone of All her Sex’, (Weidenfeld and Nicolson, 1976)

Whiteley, Sheila (ed): ‘Sexing the Groove’, (Routledge 1997)


Average White Band, ‘Pick up the Pieces’ : Atlantic K 10489 (1975)

Tori Amos: ‘Little Earthquakes’: CD

Tori Amos: ‘Crucify’: East West A7479 (1992)

Ry Cooder, ‘Bop Till You Drop’: 256691 WE 835 (1979)

Coolio,‘Gangsta Paradise’, Tommy Boy MCCSTD 2104 (1984)

Sinead O’Connor: ‘I do not want what I have not got’: EMI Chrysalis CCD 1759 (1990)

Crusaders, ‘Street Life’, MCA 513 (1979)

Dire Straits,‘Private Investigations’, Vertigo DSTR 1 (1982)

Thomas Dolby, ‘Aliens ate My Buick’: Capitol CDP-7-48075 -2 (1988)

Public Enemy, ‘Fight the Power’: Motown ZB 42877 (1989)

Roberta Flack, ‘Reverend Lee’,‘Chapter Two’: Atlantic 1569, (1970)

Warren G, ‘Regulate’: Death Row A 8290CD (1994)

MC Hammer, ‘Do not pass me by’: Capitol CL 650 (1992)

Polly Jean Harvey: ‘Rid of Me’: Island CID 8002/514 (1992)

John Lee Hooker: Alternative Boogie: Early Studio Recordings 1948-1952

Capitol CDP 7243

John Lee Hooker: The Essential Collection: Half Moon MNCD 019 (1998)

John Lee Hooker: ‘I’m John Lee Hooker’: Joy 101 ( 1968 Compilation of earlier Modern and Sensation Recordings)

Elmore James, ‘Sinful Woman’ - The Legend of Elmore James : Kent Records KST 9001(1952)

Nik Kershaw, ‘Human Racing’: 250 574-2 (1984)

Nik Kershaw, ‘The Riddle’, 251 595-1 (1984)

Nik Kershaw , ‘Radio Musicola’: 254 349-2 (1986)

Nik Kershaw, ‘The Works’: 255 393-2 (1989)

Portishead, ‘Dummy’: Go! Disc 828 522-2 (1994)

Portishead, ‘Portishead’ : Go! Beat 539 435 -2 (1997)

Pink Floyd,‘Meddle’, SHVL 795, (1971)

Alanis Morissette: ‘You Oughta Know’: Maverick W0307 (1995)

Alanis Morissette, ‘Jagged Little Pill’ Maverick 9362 45901 2 (1995)

Liz Phair, ‘Whip Smart’: Atlantic Matador 7567 92429 2 (1994)

Otis Spann, ‘Lost Sheep in the Fold’ on The Blues of Otis Spann, Decca LK4615 (1964)

Temptations, ‘Papa was a Rollin’ Stone’, Tamla Motown TMG 839 (1974)

Temptations, ‘Papa was a Rollin’ Stone’ (re-mix) Motown ZB 41431 (1987)

Muddy Waters, GoodNews Volume 3 (Syndicate Chapter: SC 002 1971 - original recordings 1955-57)

Steve Vai, Alien Love Secrets : Relativity 478586 (1993)

Steve Vai, Passion and Warfare: Relativity 467109 (1990)


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